By Anthony D’Aries
Page count: 272
Pub Date: July 2012
Category: American Culture & Society
“Hold the phone, kick down the door, and yell from the rooftops of all those American blue-collar towns that give birth to so many of our artists: a new one is among us, and his name is Anthony D’Aries. This man writes like Charlie Parker played the alto sax, with grit and verve and a willing free-fall into hard-won, illuminated truths.The Language of Men is a profoundly important book by a major new talent!”
—Andre Dubus III, Townie: A Memoir
Taxi Driver and Raging Bull with his dad and older brother. Soaked up his father’s lurid wartime tales – the hooch and the hos in ‘Nam.in a working class town on Long Island, Anthony D’Aries watched his father rebuild muscle cars, groove to rock ‘n’ roll, slice meat at the local deli, and bring roadkill back to life in his taxidermy workshop. Anthony, the impressionable younger son, loved his father. Emulated him. Acted out visceral scenes from
The Language of Men begins with Anthony’s search to learn who his father was. When he travels to Vietnam with his wife, Vanessa, who has a job leading health and anatomy classes for sex workers in Ho Chi Minh City, Anthony isn’t sure what he will find. Visiting Long Binh where his father was stationed, then seeing his relationship with Vanessa begin to deteriorate, Anthony arrives at realizations that begin to explain his father’s life, as well as his own troubling behaviors. Reluctant to deny or admit complicity, Anthony returns home to look for answers in his past.
What does it cost to speak the language of men? In prose that sings—sometimes defiantly, sometimes sadly, but always eloquently—Anthony D’Aries transports us to the crossroads of gender and history, then leads us through the unsettling terrain that creates fathers, sons, brothers, and husbands.
Anthony D’Aries, a graduate of Stonecoast’s MFA program, lives in Massachusetts and is Assistant Professor of English and Director of the Writing Program at Regis College. He teaches courses in creative nonfiction, writing as community service, and copyediting, as well as freshman composition. His essays have appeared in Solstice, The Good Men Project, Shelf Awareness, The Literary Review, and elsewhere. Recently, Anthony was appointed to the board of PEN/New England as Director of the Freedom to Write Program, which offers writing workshops for marginalized populations in prisons, halfway houses, and shelters. Anthony is the 2014-15 nonfiction fellow at The Writers’ Room of Boston. In 2011, Anthony was selected as Randolph College’s Emerging Writer-in-Residence. In 2010, he received the PEN/New England Discovery Award in Nonfiction. He has also taught literacy and creative writing in correctional facilities.